1. Sale on new game Possession 1881 from 2 Canadian Devs. Hello adventuregames! Just wanted to let you know our debut release 'Possession 1881' is on sale. To use the words of our top review: 'Worthy addition to the 'Escape the House' genre. Game is lovingly crafted by a small development team with pleasing art and sound effects.
2. My family all played Below the Root on Commodore 64. There were moments in the game that were great (spoilers):.Flying (rather gliding) with a Shuba.Pensing a rabbit.What happened at the shack at the top of the tree.Figuring out how to get in to the Temple.and so much more.
3. Below the Root is an adventure game released by Windham Classics in 1984. It is based on the Green Sky Trilogy series of novels by Zilpha Keatley Snyder and continues the story where the books end (although the game title comes from the first book in the trilogy). The story for Below the Root is written by Snyder and is considered to be canon, somewhat unusual for a video game.

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Below the root level editor. During regular gameplay, when you use the Kiniport skill, the little square that appears is the same as the level editor square. This means that the level editor's code is actually used during the game, and is therefore probably in the Apple II and PC versions as well.

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Below The Root

Below The Root Game

I discovered this game on a Commodore 64 site about 13 years after its release, but I sure am glad I did! Below the Root is an epic fantasy adventure with some RPG flavor that is truly one of its kind. As one of three possible characters, you must save the 'treehouse' world from certain destruction.
From Matthew Murray's thoughtful review of the game: 'As another interesting game from Windham Classics, Below the Root is far more original than Alice in Wonderland, since the story is devised completely from scratch, with few real ties to the series of books on which it is based. You can choose one of five characters, each of whom has different skills and levels of magical powers, which make the game easier or more difficult. Each of the games is otherwise the same, however. For originality, Windham Classics deserves high marks, though the execution is far poorer. There is little direction in this game, and the series of books it is based on, unlike the other games from Windham Classics, are hardly famous reading material. The endgame is also very difficult, and requires too much time and exploration to be the exciting ending it should be. A good game, but designed primarily for the young and patient who are willing to replay the game the numerous times that may be required.'
My impression of the game is a bit more impressive than Matt's, since I believe that the vast and unique gameworld that requires intensive exploration is one of the game's strongest points. But it does require a lot of patience to solved, so be warned. With unique atmosphere and NPCs, non-linear path, and a truly *vast* gameworld, this is really one of the games dying for a facelift.

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Game map

Below The Root screenshot

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Below The Root Game Download

Below The Root Video Game

Level Editor

There is a level editor hidden in the code in the Commodore 64 version. It is not complete and will not allow screens to be saved, but it may be used to teleport around the game map.

To access it, from VICE enter g 9000 in the monitor. The USE WHAT? prompt will appear; clear it and you will be in the editor.

Keys:

• 1, 2, 3 - Change some colors of elements.
• Holding down 6 or 8 while moving the joystick changes the colors of some objects (like pressing 1,2 & 3).
• C - Changes only the color of the signs and letters.
• F - Switch the tilesets at the bottom of the screen between characters 0-127 and 128-255.
• L - Load screen from disk. Select the screen first by clicking with the joystick on the 5th row of the screen from the bottom. The numbering is 0-31 on the top row, then 32-63, and so on to 480-511 for the bottom row. Many low-numbered screens are building interiors and the screens 125, 126, 157, and 158 are the 4-screen introduction area. L also lets you preview the tileset graphics which quickly reverts back to ASCII numbers and characters.
• S - Appears to have supposed to save, but seems to be dummied out. The original screen is restored right before the disk is accessed currently.
• T - Quit to main menu.
• X - Switch between above-ground and below-ground/interiors of buildings graphics sets.
• E - Some combination of E (erases screen) and then C and F changes the default colors of the tileset (i.e. shapes default to brown for drawing trees instead of grey for rocks).

To use it to warp, just change the screen by pushing the joystick button when the cursor is on the 5th row from the bottom. The border will turn red and you can use the joystick to adjust the screen number by 1 or 10 at a time in either direction. Then, press the joystick button again. Now hit T on the keyboard to quit and select CONTINUE from the next menu to warp your character.

Below The Root Game Map

It doesn't always work; you should always warp from an outdoor screen to another outdoor screen or an indoor screen to another indoor screen. However, the title screen rooms are considered 'indoors' even though they're obviously outside, probably so you wouldn't access them by gliding in the wrong places usually. If you access an 'indoor' room while the game thinks you to be outdoors, the screen will be empty instead. Entering the intro area will sometimes give odd dialogue for the 2 animals.

• Below the root level editor.

During regular gameplay, when you use the Kiniport skill, the little square that appears is the same as the level editor square. This means that the level editor's code is actually used during the game, and is therefore probably in the Apple II and PC versions as well.

An 8x8-pixel square appears which can be moved around the screen. During the game, it is used to teleport objects by first clicking on the object and then the destination. In the editor, an image from the tileset can be chosen and then drawn on the map using the square.

The discovery of the level editor allows mapping all 512 screens. The editor reveals room interiors and intro screens as part of the same giant map, but in the areas inaccessible during normal gameplay. Computing power would not have allowed this kind of composite in 1984, and seeing all the screens laid out reveals some interesting details. There is some duplication of levels, and one screen consisting of only a few floor lines that appears to be an aborted drawing (far right near the bottom).

There are several black screens where there is no content (including screens 500-511). The level editor locks up when you go there, and you have to restart it again by typing g 9000 in VICE's monitor.

Strangely, the final screen where you find Raamo (the guy you are looking for Below the Root), does not appear there. Instead, it is in the sky. There are some levels that are duplicated, some in the sky and some on the map. There is one level that appears to be an aborted drawing, with just a few floor lines laid out.

The duplication and aborted level were probably simply due to confusion, since they probably didn't have a way to see every screen at once, and so they may have forgotten to erase the duplicate (upper left entrance to the underground is duplicated in the bottom part, but is inaccessible from there).

Below The Root Video Game